2010

February 1st, 2010

How is everyone? How was January? How are those resolutions coming along? Mine are coming along splendidly. How is that, you ask? Well, I’ll tell you: I didn’t make any. Except one. No blogging in January. Turns out it was easy enough; January was mainly a planning/dreaming/goal-setting month, and it was a great month at that. I worked a bit but mainly spent time with my family, with other dreamers, and alone. I re-arranged and re-configured my studio for what I believe is going to be an awesome season. I’ll post pics soon; there are a few elements that are not quite in place yet.
Goals or dreams without results are as weighty as a how-to book written by someone who hasn’t, so I won’t bore you with all of my crazy plans. But I can excitedly say this year will see a shift in what I’m doing- a shift towards my own artistic work. Not a total shift, but a shift that is tangible and real nonetheless. I don’t know the outcome, I don’t know where I’ll be in a year. I do feel in over my head, which tells me that I am right where I should be. A few projects are those I must go alone, a few are those I can’t possibly finish by myself. I am equally excited about both. Teams have been assembled, targets identified. First actions have been taken.
I don’t have news to share yet; some info I can’t share, but as I am able, I will. I can say that I have started something I’ve been threatening to start for some time: an ambient project of my own. This I will gladly share when ready!
2009 was a great year; probably the most fulfilling in a long time. It was a year of amazing female artists (Meghan Kabir, Christine Denté, Norah Jones, Sarah Sadler), guys with skills (Ellis Paul, Perrin Lamb, Phil LaRue, Phil Stacey) and wonderful organizations (Revolve, Help Portrait, and Halogen TV). These are a few of my faves but if I worked on your record and didn’t mention you, don’t be a hater.
So, yes, to say I am looking forward to 2010 is an understatement. It’s already off to a great start. I believe that trend will continue.

Bethlehem

December 9th, 2009

It’s Christmas-time again, and with Christmas comes wonderful music. We all have our favorites, but let’s be honest: who hasn’t sworn off Christmas altogether after hearing a terrible rendition of a once-cherished classic? This year, I’m trying to sway the music gene pool towards the good and away from the ugly. Truth be told, I mainly wanted to give something away, a gift of my time. Download it from Soundcloud.
So… I offer a new take on “O Little Town”. It’s an all electronic track (except for the vocals, of course) that starts with ambient pads and piano, ends in a smooth electronic vibe, and has a few twists and turns along the way. Production details follow…
Read the rest of this entry »

Norah Jones

November 17th, 2009

I played on the new Norah Jones. It’s out today. My reaction: thrilled, disappointed, and thankful. Confused? Read on.

Produced by Jacquire King (Modest Mouse, Kings of Leon), it’s a wonderful record- anything Jacquire records, produces, or mixes will undoubtedly sound great. He handled all three tasks, so perhaps it’s twice (or thrice?) as good… Jacquire asked me to do programming and keys in a pre-production capacity.

As expected, Norah’s playing, writing and singing are lovely. Despite the fact that I was given demo tracks, I kept turning the vocal UP whilst working- way up! It was an interesting bit of work, some of the most enjoyable and challenging I’ve done this year. Jacquire wanted drum machines, keys, and textures to serve as inspiration for the tracking sessions. The tracks were to be dark, ambient and rough around the edges so I knew I was the right choice.

I’m thrilled that I was asked to be part of the project, but I’m also a bit disappointed with how much of my stuff made it to the end. I worked on fifteen songs. I ended up on two. Not a great ratio! Yes, I was aware the entire time that I was doing pre-production, and that the tracks were meant to serve more of a utilitarian role, but since I enjoyed the work so much I ended up expecting more than was realistic. As is often the case with disappointment, mine is self-inflicted. However, it’s quickly overshadowed by the fact that even being on one song is great! I also know what I turned in was good, so I’m not losing sleep over it. So yes, I’m thrilled. I was disappointed. From henceforth, I’m thankful. That’s the best approach, I’m sure.

I was planning on posting screenshots but that seems like overkill; if anyone does want that, speak up and I’ll be happy to. I will share my approach: since the tracks were to be dark/rough/vibey, Ableton was my first choice. Well, it’s always my first choice unless I’m working on country, but I digress…

The tracks were simple; anywhere from 3 to 8 drum tracks and a perhaps a synth or two per song. Jacquire and I had already settled on rough tempos, so I would create a new session, import the demo track, and start adding rhythms that would help push the band along. The new effects in Ableton were perfect for the task. Almost everything ran through some sort of mangling: frequency shifter, overdrive, or vocoder. Two other effects that saw a full 90 minutes were the Oligarc Drive and Moog’s ringmod.

I used a relatively small set of old-skool drum sounds, mostly those from Acetone boxes and also a few CR78 tom sounds. In “Chasing Pirates” the single and lead-off track, you can hear a dirty kick and toms subtly mixed with the drums. I also used the MG-1 and my trusty Rhodes. So what’s the other track, and what did I use? I’ll leave that up to you to find out!

Finally…

November 12th, 2009

A blog is not unlike a record: you can tweak endlessly but at some point you have to offer it to the world. To that end, I give you this blog.
Much thanks to Dave at BristowDesign.com for the awesome illustration. Check his work; Dave’s a great guy who also happens to be my brother!
Read, comment, think, be encouraged, and check back often for cool news and other goodies!

Help Portrait

November 7th, 2009

The new Help-Portrait website is up. Levi Bethune created the video and I did the score in Ableton. It’s a simple track with a few left turns; it’s supposed to support the video without being distracting. The track consists of Rhodes, MG-1, live performance, hand-made samples, and lots of Ableton instruments. I documented some of the process and I’ll post as quickly as possible. I’m happy with the results, but I’m even happier to be involved with such a great effort. On December 12th, people world-wide are coming together to simply GIVE. If you own a camera, there’s no reason not to be part of the event this year.
hpsmall

Confidence, Discovery and the Artists’ Quest

November 1st, 2009

 

The artists’ quest is a struggle for discovery, but not in the obvious sense. Ultimately, the successful artist is not one who has been discovered, but one who has discovered self. After years of wandering, I am finally in the discovery phase. The key for me was (and is) gaining confidence.

 

Rewind the time clock five or so years from today and you will find me a man with little vision, unfocused goals, and no confidence- a deadly combination. Granted, most musicians start out in similar fashion, doing anything possible to make ends meet, but my career was barely above water- I was slowly climbing the rope but hanging myself at the same time. 

 

I was talking with a manager one day, complaining about my lack of work. He gave me a swift kick by saying: “You do great work; you aren’t working more because you have no confidence. Who’s gonna believe in you if you don’t believe in yourself? You need to learn confidence”. Was it hard to hear? Yes. Was he right? Yes. Thus began the process of learning confidence.

 

Learn confidence? Is it not a strength we either have or lack? Perhaps. Some are born with a fully formed sense of confidence. Others, myself included, must dig a bit to unearth it. Like other disciplines, it can be nurtured and strengthened. Confidence can be learned. Once learned, it transforms our thought process, our words, and our actions. How then, do we learn?

 

Learning begins in the mind; learning confidence is no exception. An entire self-help industry exists for those longing for confidence, but it boils down to this truth: You were made for specific purposes, you have a unique combination of abilities, and someone somewhere needs that thing you do. Yes, that sounds like a motivational speech, but here’s the rub: it’s easy to say, but terribly hard to believe. Most stop at the saying part.

 

Coming to grips with this truth can be tough as it requires a release of expectations we have placed on ourselves. Even harder still, it requires we rid ourselves of expectations placed on us by others. Are you following a pre-conceived checklist for reaching your goals? I was. I had ideas, a chronology of sorts that, if followed, would lead to success. The time I wasted chasing these ideas!

 

Ideas are made of strong substance, and a bad idea can have the same hold as a good one. Whether bad ideas are self-imposed or imposed by others makes little difference; they are dangerous either way. When we give them value they cling to us, and ridding ourselves of them becomes even more troublesome. Yes- I had ideas: what I should be, what would impress my peers and what my career should look like. As a result, I had little idea as to who I really was.

 

We are each unique and are created for specific purpose. Furthermore, life is not pre-set. Through action or inaction, we hold power to advance or derail these purposes. The moment we take ownership of the idea that we are here for specific reasons is the moment we begin seeing life from a different perspective. I don’t know when it happened, but I finally made the vital connection: If we are created for specific purpose, then we’ve also been given the required skills. These skills must be refined and developed, but they are there, sometimes underneath the surface but longing to be brought to life.

 

As I stated earlier, my sense of self was almost non-existent. What was changing was my mind: I was armed with belief, with new truth. But like belief with no action, truth alone is useless.

 

Action is required; it is the embodiment and proof of belief. Action gives power to knowledge. Conversely, inaction renders knowledge powerless. The question is, with little vision, what do we do? In a word, we change. Change is hard, but worth the effort. 

 

I would be remiss if I failed to mention the vital nature of perspective. In many ways, I was starting from scratch, and because of good advice or timely suggestions, I made fewer mistakes along the way. There is wisdom in the counsel of many; seek out those who have gone before you. Most will be happy to expose potential pitfalls. Yes- the first order of business: if you haven’t already, find people who will help. Here are four other suggestions, based on my own experience:

 

Grow a spine. I was brought up in a wonderful home, by wonderful parents. I was taught to be hard-working, helpful and unselfish, and I’m a laid-back kind of guy. There is absolutely nothing wrong with this, but at some point, a laid-back approach to life can lead to passivity- it did in me.

 

I wasn’t afraid of hard work, but I had this idea that earlier successes would automatically lead to continued results. I also thought that anything resembling self-promotion was greasy and low. I was so afraid of becoming a lame, finger-gunning, let’s do lunch type of guy that I overcompensated. I did nothing- and nothing was happening. I’ll pass along advice I received: to learn confidence, you must practice. If you know you are the one for something, fight for it.

 

I fooled a few people those first times- I knew I could rock the project, and in no uncertain terms I made it known, but I felt completely out of my element. It may feel awkward and foreign, but you’ll quickly learn that a lot people are as unsure as you are. They want someone to take responsibility. People need leadership, and what’s more, they respond to it.

 

Learn the word “no”.  It takes courage to say no, but if you aren’t the right person, pass it on to someone else. There’s an unwritten rule that says you must take everything that comes your way. I disagree with this rule. If it’s not for you, you’ll do the work but it won’t be your best. You may also miss out on something better.

 

Stop copying. This may not hold true for all, but one of my first actions was to stop copying. Obvious? It’s harder than it seems. When copying we have some sense of direction. How quickly we choose shallow direction over true sense of self.

 

I was copying the guys who were doing all the work and I was stuck in the muck. Now, there is much to be learned by listening, dissecting, and studying. These guys were busy because they were putting out amazing work- and they continue to. A valuable lesson: I am capable of equal greatness, but by default it will look (sound) different, because 1)I am not them and 2)they have already claimed their land. Mine is yet unclaimed. Stop copying.

 

Start dreaming. Dreaming is vital, for at the start, there may be no successes to drive us forward. Answer for me these questions: What do you want to be doing in five years? Where do you want to be? What are the steps to get there? When do you feel close to God? For me, it is when I play the piano. I give of myself: of emotion and time and energy, but I walk away- sometimes inspired, always refreshed. What is it for you? Natural pursuits and skills are clues that should not be ignored. On the contrary: they should feed our dreams.

 

Whilst dreams may be specific, the nature of dreaming is abstract. Time must be allowed for dreaming, waiting and processing the results thereof. The dreaming/planning/plotting stage should not be rushed- it is a time of inspiration, assembly, and aim. Gradually, thought takes shape. Ideas surface. Some are refined and embraced as vision, others should be set aside- even good ideas, for a good idea can prove itself as powerfully distracting as it is noble. Confidence gains ground when we set aside the good, for we begin to realize we are creating space for something great. As confidence builds, so does the power of dreams. 

 

We then reach that crossroads where our dreams demand an investment of physical energy, emotion, and time. Behind us live the perpetual dreamers; before us stand the accomplishers.

 

The final action is literal effort. Dreaming leads to seasons of concerted effort and focused re-direction of time. Pulling away from certain avenues is natural; some are easily let go of, others prove harder to part with. Areas where we have experienced success are the hardest to release. Valuable though they may be, we move forward with more grace when not encumbered by past successes. For some, dreaming is the most difficult stage; for others, following with real action is the challenge. Whatever the case may be, work is involved. True action will most likely require trading relaxation for long nights and weekend work. It is akin to an extra job, or better yet, an internship that leads to a paid position. The saying “If it were easy, everyone would be doing it” is a cheeky adage, but it rings true nonetheless. Excellence takes time and effort, at least for me. Mediocrity is easy.

 

Confidence is learned through effort, and effort results in one of two outcomes: success or failure. Success is easily welcomed, and should be, as reward and strength often follow close behind. It should be welcomed at arm’s length and kept separate from your identity, for it leaves as quickly as it comes. Failure is a harder pill to swallow but is good, necessary medicine. No one enjoys a good failure; we are so frightened by it that we tend to abandon worthy pursuits the moment anything appears amiss. But when it does come, failure should be embraced. Failure is that annoying teacher who tells us when something isn’t working. Listen. Learn. Failure intensifies effort and refines vision. It sweetens success.

 

Closing thoughts, or, what happens next. The initial effect of confidence is a general sense of purpose and belief in self, not unlike the feeling one receives from a sip of Felix Felicis. Confidence creeps into the mix, and with it comes focus- a second, more acute effect. You see, as confidence increases, the desire to impress decreases. We become more aware of the rare and unique, and we stop emulating. Imitation is part of the learning process but longevity comes when we find our niche. Confidence helps us focus on who we are, not who we are expected to be.

 

This focus, in time, leads to discovery. Try to find one small town on a world map- it’s almost impossible. Now zoom in. Vague outlines are replaced by more detailed drawing. As we narrow our focus even further, the lines become sharper still, until we find ourselves exactly where we are supposed to be. Focus works in a like manner: as we shed pursuits that are distractions, our actions and time become more efficient. 

 

Remember- truth leads to action. Start dreaming. Be patient. Learn confidence. This is where discovery begins.

Confidence, Discovery and the Artists’ Quest V2

November 1st, 2009

 

Disclaimers, Loose Ends and other Ancillaries…

As I mentioned above, I am passive- sometimes to a fault. I’m happy to give up the front seat, especially if someone really wants it. That’s all well and good, but if we continually give up the front seat, we miss out. We are supposed to live generously, to be givers, but being a giver does not mean passing on opportunities that are meant for us. To refuse such an opportunity is to rob someone of something that only you can give. Don’t let fear drive you to selfishness.

 

Although the two can be confused, confidence is not arrogance, and most can tell the difference. Confidence is knowing you have the ability to guide, direct or help. It leads to honest work. Arrogance fools us into thinking we are awesome. It leads to laziness. As you move from weakness to confidence, be careful of giving in to the dark side. It’s easy to do, trust me. Remember: you were made for specific purposes, as were those around you. Keep to this truth; recognizing value in others will keep you from thinking only of yourself.

 

Discovery and confidence are so intertwined that it is impossible to write about one without the other. Also impossible to ignore is the fact that dreams and goals play a huge part in the discovery process. Dream big. Don’t go through life regretting what you didn’t do.

 

Keep moving forward: Discovery is not liberty to stop adding to knowledge or skill. Times of pause and rest are necessary, but if you aren’t moving forward, where are you heading?

The Revolve Tour

September 12th, 2009

 

This fall I’m doing something I haven’t done in a while- a few road gigs. I was asked to be part of the Revolve Tour, and I’m really excited about it. The Revolve Tour is a great multi-artist tour; I’m playing keys for Britt Nicole and I’m also part of the house band. My setup is great- just two keyboards: a Motif and a B3. I play piano and wurly mainly, but also throw in a few modern elements to taste. I did some basic work in Ableton; the drummer (Josh Robinson=great) runs the programmed elements and click tracks.

The lineup is great: Group 1 Crew and Stellar Kart are also out this year and both put on great shows. It’s easily the most enjoyable road work I’ve ever done; it’s barely work at all! The other guys in the band are great players and all involved, from the crew to speakers to actors and everyone in between, are top-notch. Revolve is a two-day event designed to encourage and teach girls about self-esteem, healthy relationship, and how to navigate the craziness that is teenage-ery. Given the fact that I have a daughter, I’m paying close attention and storing info away for future years! Check out more info at www.therevolvetour.com.

Priceless Heap of Goodness

August 25th, 2009

Imogen Heap’s new record is out, which is great, but she has also included instrumental versions of each track. I’ll say it again in case it didn’t sink in: Instrumental versions of each track. For an extra few dollars, you get 13 amazing glimpses into what she does so well. It’s safe to say she’s at the top of her game- as a writer, musician and artist. This new record is no exception- the tracks are a bit more minimal than previous projects, which in theory means the elements that are there are perfect. I have to say, I’m not thrilled with the mix of the new record; the vocals are LOUD. On the other hand, I could listen to her voice for days without growing weary of it. Perhaps the combination of instrumental tracks and vocal up mixes make for a perfectly balanced release, but whatever the case may be, it’s a wonderful release. If you create electronic music, or any music for that matter, Imogen’s records are a must-have.

Phil Stacey

August 25th, 2009

Phil Stacey’s new record hits shelves and sites today- give it a listen. Phil’s got a wonderful voice and the record was produced by super-producer Brown Bannister; I did most of the programming and keys. It’s a pop record- I did lots of drum and synth layers and some string work. Drum sounds are from my own samples, Operator, and perhaps something I recorded on the spot to use inside of Impulse. Synths and pads are from Thor, Absynth, Pro53, Ultra Analog, and the MO8. I was working on it right before Live 8 was released, so all but one track was done in version 7. There was a last-minute addition that gave me a chance to use 8; I think it was the first real work I did using 8. I used the Collision instrument and some of the new effects in a song called “Hard To Get”. It turned out wonderfully and Collision has become a go-to source for anything from soft mallets to crazy craziness.

North Carolina

July 4th, 2009

 

North Carolina is one of my favorite states. In addition to being where I come from, it’s a wonderful place to go. It doesn’t take much for us to pack up and head down Interstate 40 for a visit with family. Along the way, we’re typically sidetracked- gladly, of course- in Asheville. Whether it’s a quick stop at the Farmer’s Market, the Chocolate Lounge, or a longer stay, Asheville is our favourite home away from home. One other great thing about Asheville: Moog Music’s headquarters and factory. Moog continues to lead the way in electronic music, refusing to re-package old concepts but always changing to stay relevant. One thing hasn’t changed, though: the product. Hand-crafted, innovative, top-shelf electronic instruments.

Enough of Moog and mountains; the coastline is equally wonderful. My idea of a great beach is an uncrowded, still wild place where you won’t find a Target or a Sonic. The Outer Banks is one such area. Coastline still exist that is only accessible by 4-wheel drive, beaches where you’re more likely to encounter a band of wild horses than another human.

That’s why North Carolina is great. Mountains, music, coastline… what more do you need?

The Standing Studio: V3

June 10th, 2009

The standing studio is now complete- or at least more committed to. The cardboard box/desk combo has been replaced by a modular system from Ikea with great results. I assembled a basic system with Broder components- a worksurface and a hidden rear shelf for cables, power supplies, a flux capacitor and other miscellaneous clutter. The shelf has also become Nuvi’s new favourite studio spot. See space for pictures.

I would highly recommend you try a standing setup, even if only for the health benefits. I’ve grown quite fond of the freedom and mobility it affords. Now I don’t have to buy a Herman Miller. Perhaps I can use that money for shoes instead…

Ableton Live 8

May 18th, 2009

Finally- a break in the schedule. First order of business: Live 8. It’s been sitting in my studio, quietly and patiently waiting to be unleashed. Installing software whilst in critical stages of a project can be a recipe for disaster, so I’ve waited. For this upgrade I went for the Full Monty and ordered the Suite. Admittedly, I’m skeptical of some of the extras, namely the orchestral and piano samples. I doubt they can compete with the larger libraries in terms of realism and articulation, but sometimes the best sounds aren’t the best when they’re put in a track . No matter- I would I have ordered Suite regardless. Installation is relatively smooth; somewhat lengthy, thought. Time for lunch? I look forward to posting thoughts in a while.

Velez

April 30th, 2009

Of the things I love about my work, the forever changing and unpredictable nature of what I’m doing day-to-day ranks high on the list. Today was no exception. I spent the day writing with Velez and Rich Peña. Rich is a wonderful producer, programmer and drummer- one of those guys who makes anything he’s a part of better, be it a session or a barbecue. He’s producing Velez’s new project. It was a great day- we wrestled with a lyric, started a track and captured vocals. These guys are fun, cool, and know music- all genres. Oh yes- they’re also quite talented. In addition to writing and recording, they film and produce a music/variety tv series- starring themselves of course. Check their myspace, website, or twitter.

It’s your ear, not your gear.

April 18th, 2009

I was reading an article on the Chip Collection blog and it made me smile because it was at the same time true and untrue. Now, the post is a tongue-in-cheek look at gear, out-of-date hardware and soforth, but it brings up something I feel strongly about: It’s so NOT about the gear.

Technology is great- anyone can have access to the same software and sounds that the “pros” use. The good side of this is that the playing field is somewhat leveled. The bad side is that everything sounds the same, and the overall quality of music is decreased. A quick tour of Myspace will yield hours of sub-par programmed tracks that use the same Reason presets. So what separates the good from the bad and the ugly? Creativity. Uniqueness. Individuality. Attention to detail. So, your music sounds like Royksopp? Great, but I’ll listen to Royksopp if I want to hear Royksopp. Give me something I haven’t heard before. Great bands and artists have a unique sound.

I’m a professional musician. Like most, I’m no prodigy, I don’t come from a “famous” music family and I don’t have a wealthy benefactor. The music industry is tough, and I work hard. I love what I do, and I love that it provides for my family. They come first. That means clothes, shoes, food or medicine for my daughter come before the latest plug-ins. It also means my gear list is relatively short when compared to a lot of guys. But that can be a great thing.

How can having no gear be such a good thing? Well, it forces you to be creative (a novel concept these days I know…). In my case, having only a few keyboards at my disposal really forced me to use them in non-standard ways. Instead of simply running a preset through a plug-in, I had to learn how to actually edit and design sounds. In the process, I discovered, quite by accident many times, new approaches, edits and processes that have become a huge part of what I do on a track these days. My favourite things are those that I have yet to hear on other records- things I think (or hope) I am doing first. Wishful thinking? Probably but perhaps no. Lots of gear, while being fun and novel, can be distracting. The other thing about having tons of gear is that, depending on how you came about that gear, it can hold you back.

Consider the chap who goes out and buys a roomful of gear. Now, he must work extra to pay for that gear, often having to do things that are severely draining on time and creativity, instead of being able to simply CREATE. And then, even worse, is the possibility of that gear being out of date and needing to be upgraded by the time it’s paid for. So how much did it really help? Then there’s the guy who has a minimal setup but knows how to make it rock. The limitation demands creativity. Before long, people notice. Not too long after that, he can afford any bit of kit he desires!

I’m somewhere between the two; I’ve made my share of bad gear decisions but I like my setup now. Some days I catch myself thinking “It would be great to have…”, but at the same time, I’m really thankful for a modest studio, because I know to some degree the lack is what forces me to up my game. Now if I can somehow get that modular I’ve been wanting, or that OP-1 synth…

It looks cool

April 11th, 2009

op1
But how does it sound? No bother, even if the OP-1 just sits there it’s bound to inspire something. The sound examples found on the website and various web locations seem promising. For now, here’s what it has: a synth, a sampler, a motion sensor, a built in mic and speaker, a sequencer, a great display and an awesome look. Yes, please.

The standing studio: V2

April 10th, 2009

Back in November I made the switch. No, not operating platforms or software, but the switch to a standing studio. Keyboards and control surfaces are now at standing height- at least the majority of them- my rhodes and upright haven’t moved. It took a while to get used to the change; my legs were a bit sore for the first week but in the name of good health I pressed on. I resolved to try it for as long as I could, and to go 6 months before making any permanent changes. My Axiom, computer keyboard, mouse and screen are propped up on a box; it’s covered with a black sheet but it’s still decidedly lo-fi. I’m now crossing the five-month barrier and I’m completely sold on the idea. I love the freedom of motion and the fact that my back no longer hurts.
So now I’m looking for a standing height desk, and the options, as you may guess, are a bit limited when compared to standard desks. I may end up ordering a desktop surface from Ikea and building the frame myself, we’ll see. More to come!

Sorted Noise

April 8th, 2009

Who are the hardest working guys in music? Jason, Thad, and Josh over at SortedNoise. Not only are they world-class musicians and writers, but they have put together one of the most exciting, forward-thinking production companies in town. Head on over to SortedNoise.com and see what they’re up to.

What I use

April 3rd, 2009

I’ve had a number of people ask about my studio setup. I’ll say one thing- it’s fairly simple. Diapers, toys, clothes, food, school and the myriad other things that come along with family tend to take priority over synths, software, mics and preamps. There are those bits of kit that are indispensable; here’s a list, although it’s probably not all-inclusive:
I’ll start with my upright. It’s always on, ready to inspire. Unlimited polyphony and infinite tone. The Fender Rhodes. Calm, cool, and unassuming. Still can’t be beat by a plug-in. Mine is a 54 key version. Anyone else have one of those? My weighted controller is a Yamaha MO8, and I really like it, especially for the piano-type sounds. It doesn’t sound like a plug-in. Sure, it’s kind of kludgy to program, but it weighs considerably less than the MOTIF. I bought it a few years back for a tour; if I knew I was never going to move it I would want a MOTIF, but only for the expansion. Maybe a MOTIF rack is the answer to that… Anyway, back to the original topic. Ableton would be next. In a worse-case scenario, give me my laptop and Ableton. In a second-to-worse case scenario, give me my G-Media and Native Instruments plug-ins. I probably turn to those more than anything else, especially the Minimonsta, Oddity, Absynth and Pro53. Other softsynths would be the Olga, from Schwa Audio, and the Thor synth in Reason. Last but not least is my MG-1. I’ve modded it so it’s not exactly stock; it’s old and quirky but wonderful. My small controller is an M-Audio Axiom. Full-featured and built like a tank. I got mine a while back; three years without a case on the bus and several countries later and it still works perfectly. One of the knobs is crooked, but that happened when a bandmate borrowed it for a weekend.
There you have it. I should probably include my converters, which are Mytek. I should also mention my headphones, the Senheiser HD280. Not the greatest, but good enough and not so expensive that I’m afraid to throw a pair in my backpack.

Stillwell Audio

March 8th, 2009

If you aren’t using one or seven plug-ins from the folks at Stillwell Audio, you’re missing out. I have to admit, my fascination with cyrillic makes these plug-ins virtually irresistible, but even those with no cold-war interests will find them wonderfully different. The 1973 and the Olga are two of my favourites right now. I won’t say the ‘73 sounds like a real one, but it sounds really, really good. I love the high end boost- tons of gain and never harsh. It’s quickly becoming my first choice when I need a non-obtrusive eq. The Olga, on the other hand, does obtrusive very well. It’s a relatively simple 2-oscillator synth but the accessible parameters are the ones you want. The best thing about it is that it probably sounds nothing like you have in your current synth line-up.

Ellis Paul

February 26th, 2009

I have the honour of being part of the sessions for Ellis Paul’s new record. Ellis is an incredibly talented singer-songwriter out of Boston; he’s the kind of writer that makes you want to either go write great songs or stop trying all together! Produced by Sorted Noise, the record is a great blend of folk and pop, and it’s due out sometime in 2009. What am I using? My rhodes, moog, se-1, upright piano, and various pedals/software. The Abbey Road Refill is getting some playing time, too- see if you can hear which tracks use real piano and which use virtual. A few of the tracks even have subtle Ableton trickery! (Ellis is a folk guy- nothing too crazy…)

Novelty or Not

January 15th, 2009

A laptop keyboard as an input surface only takes one so far. Sure, it can be a great conversation starter, but if you’re trying to actually work… maybe not. One octave and no touch sensitivity can get old quickly. Enter the Korg NanoKey. Some friends gave me one for Christmas, and, in the words of Jack Black, it’s totally awesome. If only I had this on my last transatlantic… Touch sensitive keys, octave switching, pitch bend and programmable mod control; nice. The pitch bend is pre-set; press the pitch button and the Nano transmits a positive pitch bend message. It’s crude at best but the pitch sweep is set to a pleasing rate- it gives a slightly different effect than a normal pitch bend. It’s cheap, and it’s novel, but it stays in my backpack and gets used. If only they had given me the black version…

Concerning Chocolate

January 1st, 2009

I thoroughly enjoy chocolate. Good chocolate. High-test blends with no milk. The form I enjoy most: liquid chocolate. If you’re ever in Asheville, NC, try the liquid truffle at the French Broad Chocolate Lounge. They serve several flavors; Indian Kulfi is my fave- rich chocolate with hints of cardamom and pistachio. You can also find a selection of wine and various cheeses if the mood strikes.
In Nashville, go to The Cocoa Tree. I was quite sad when they moved from downtown Franklin to the new spot in Germantown; they were a few blocks from my studio space, and there’s never a bad time for a cup of Mayan Hot Chocolate. I had a mild addiction; the move was probably for the best.

Building the WSG: Featured on MusicFromOuterSpace.com

December 28th, 2008

My WSG blog is featured on musicfromouterspace.com. Thanks, Ray!

The standing studio: V1

November 17th, 2008

A few times a year, my back refuses to act normally- I’ve got a disc that’s supposedly de-generating. I guess we all have discs that are de-generating but one of mine is moving at a rate that exceeds the norm. The best thing for me is exercise (walking specifically), hydration, and stretching. The worst thing is sitting down, and musicians tend to sit around. A lot.

A few weeks ago, all of a sudden, my back decided to start hurting. Really hurting. With deadlines to meet and music to make, I recalled an article about productivity as related to work posture. I took an hour and re-arranged my workspace so I could do everything standing up. Maybe it’s the fact that blood and oxygen flow more efficiently when standing. Perhaps it’s that I can bust my insane dance moves while I edit a vocal, or just the novelty factor of a new set-up, but I feel much more productive. Now my feet hurt. :)

Building the WSG

November 16th, 2008

I finished my WSG, or at least I have it in operating condition. What’s a WSG, you ask? It’s an all-analogue sound generator. I created a separate mini-blog in honour of this occasion which documents the construction of my WSG. You can view it here.

PureMagnetik

October 9th, 2008

puremagnetik

Other than the ones you make, where do you get your sounds? (You do make your own sounds, right?..What better way to be original…) Do we really need another site offering downloads of sounds for production? We do if it’s PureMagnetik.com. This is the best site I’ve seen in a long time. You can buy single sets, various bundles, or sign up for a subscription which entitles you to anything they release. A basic subscription is 6USD per month; pay monthly or, for a discount, a year at a time. The best thing about PureMagnetik is the focus on electronic-type sounds. The other great thing is the fact that they cater to Ableton users. Sounds are available programmed and formatted for Ableton, Logic, and Kontakt, which means virtually every sampler is supported. Also- the user interface is modern, uncluttered, and easy to use. Head over to Puremagnetik; get started with a few of the free bundles.

Selling Out

September 16th, 2008

Alright. Creativity will win out every time over stacks of gear. I’m not a latest-greatest kind of guy and I work with a minimal setup. However, I have to write something about a piece of gear (or rather software) that has transformed how I work and create. I started using Ableton about a year or maybe 16 months ago, and it has really transformed the way I work. I know that sounds like a quote from a catalogue but it’s the truth. I can listen to the first thing I created with Ableton and it’s as if a switch was thrown in my brain. A good switch. Maybe it’s my appreciation of German engineering; perhaps it was a fresh perspective or maybe the software is the best match I’ve found for how my mind works. Whatever the reason, I love it and it’s my main creative (not recording/mixing) software. So go ahead, call me a sell-out, but I’m happy to give recognition to a great thing. Speaking of German engineering, Waldorf, after closing it’s doors and then re-opening, has released another winner in the form of the Blofeld. Nicely done, although my personal favorite is still the Microwave XT.

Je ne sais pas

August 17th, 2008

In the ever changing, never ending adventure that is my work, I’ve recently found myself writing and producing for a few Latin artists. It’s great and I love it but there’s one small thing: I don’t speak Spanish beyond being able to order a taco at Las Palmas! I love being the only gringo in the studio, or sitting down to do a track and not having a clue as to what the lyric is about (at first- I’m learning as I go…) The good thing is it’s all turning out well. It’s also a great illustration of how music can bridge the gap between any two things that are seemingly non-compatible.

House Of Wolves

August 17th, 2008

I just finished the soundtrack for House Of Wolves. For all the movie fans out there who are thinking, “I’ve seen every trailer but I’ve never even heard of that one…”, don’t despair. It’s not a movie (yet); it’s a book. A soundtrack for a book? Yes! Why Not? House Of Wolves is the second part of a five-book series by Matt Bronlewee. Ancient texts, secret societies, codes, maps, forgotten World War II Nazi strongholds… it’s great stuff. The soundtrack is a very organic/ambient/electronic work, with vocals on a few of the tracks by the Tactus Cartel.

Tactus Cartel

August 16th, 2008

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I’ve started working on a project called Tactus Cartel, and I’m trés excited about it as it’s very much my own creative vision, I wouldn’t go so far as to say it’s a solo record, but I am the driving force behind the production and writing. There will be other honorary members of the Cartel of course; I trust my instincts but collaboration sometimes yields a higher quality result. The first of the honorary members is Dave over at Bristow Design- he’s helping with visuals and probably writing as well. The second honorary member is Paul, although he doesn’t know it yet. My main goal with Tactus Cartel is expression- it’s a moody electronic/ambient/pop sound that lends itself and is primarily aimed to film and television. What you’ll hear is basically what happens when I sit down and make music without the usual input from label/a&r/management/radio/marketing/wardrobe/catering… Not that input and collaboration with the label side is bad- it’s a necessary element in creating something that everyone can be excited about.
While I’ve had this project in mind for sometime, I’m just finding the time and creative vision to pursue it. Creating something that is rooted deeply within yourself and then putting it out for public consumption is highly exciting and at the same time quite unsettling, but the initial response has been wonderful. Perhaps it’s because I finally have something to offer in the songs I am writing, or maybe people are drawn to purity as far as artistic expression. Well, perhaps that last thought is a bit utopian but here’s to hope.

Hotels

August 15th, 2008

Hotels are inspiring. Let me restate that: nice hotels are inspiring. Leave the TV for another day- I love sitting down in front of a big window and building a track. Looking out over a city at night is almost always inspiring- the lights and the abstract motion of cars on roads below help filter the days’ events. I started the track for ReBuild on a night such as this- I remember singing the vocal idea right into the built-in mic of my powerbook. Sounded awful, with the fan noise and the track coming back through the speakers, but it was there when I got home. Home is better than hotels, but I don’t mind a good hotel.

Threat Level Orange

August 15th, 2008

I just flew home from Orlando today, so I’m thinking of my unofficial audit of the TSA. I fly somewhat frequently, so I’ve decided to conduct the following test: every time I pass through security, I leave a bottle of water in my backpack. (Just for the record- bringing a bottle of water, or any amount of liquid over two ounces, is prohibited). I haven’t conducted the test enough to generate a percentage, but I’ll just say I’ve had bottled water to drink on several flights. Yesterday I forgot to carry water, but fortunately for me the TSA agent confiscated my shaving cream- my fault for leaving it in my carry-on. This morning I carried orange juice in the outside mesh pocket of my bag. Kudos to the Orlando TSA for allowing my juice to go by unnoticed.

The WSG and London

August 13th, 2008

I’ve started the assembly of a WSG. In addition to the normal circuit, I’m going to attempt a few extra modifications. My grand plan is to document the construction, then use it in a few tracks for all to hear. Yes, making my own analogue sound generator does make me a nerd, but I’ve been a nerd for some time now. I’m just a cool nerd. Who among you would NOT relish taking a bunch of random electrical components and, armed with a solder gun and vu meter, form a unique noise making device that boasts a totally analogue signal path? See, you’re a nerd also. I’m putting mine into a small suitcase-type enclosure, in Synthi style.

Writing about the Synthi makes me think of EMS. Check out the website for some cool old-skool photos. Looking through the list of great EMS synths reminds me of London- one of the first EMS synths was even named the Portabello at first. What is it about London that fascinates me? Of all the places I’ve visited, London is where I would return first. Something about the city resonates with me, and I feel more at home there than I do in my own city. The pace, the diversity, the underground, the history, the style, the curry… if you go, skip the traditional tourist stuff for a while and simply walk around. One of my favourite things to do is buy a brie sandwich; my customary London lunch- one Brie and tomato sandwich around noon- has the ability to sustain me well into the evening, and it makes for an inexpensive (£2) lunch. And don’t forget the Punjab on Neal Street. One thing about the UK- it seems there is a higher level of preparedness on the part of the audio teams in clubs. They take what they do seriously and it makes for a great experience.

Simplicity

August 12th, 2008

I’m reading again (it’s a book which should be read and re-read) the book Celebration of Discipline by Richard Foster. What a powerhouse book! Some say Foster goes to far over to the side of mysticism, but I disagree. True progress often involves breaking through the norms of what is acceptable and living in such a way that may attract skepticism. This book is full of concrete, practical information on deepening your spiritual life. Having just completed the chapter on simplicity, I’m struck at how that concept can and should cover all aspects of life. A simple life is a peaceful life, a life free of distraction. A life free of distraction is a productive life. That sounds good to me.

Glasgow Tower

February 2nd, 2007

GlasgowTower
Glasgow. Must go back.

London

February 1st, 2007

highstreet
Kensington High Street

Dublin Castle

January 30th, 2007

dublincastle